Drawing is traditionally seen as the act of creating an image through a relational means between the artist and the medium. In today’s digital era, the artist is subjective to human or machinic protocols. If the act of drawing is unique to humans, what does it mean to automate the procedure of drawing? Does it take away a certain unpredictable quality? The human touch, as they call it. Or can a machine portray its own sense of unpredictability?
Published in Scripts, May 2017